“Lines with Power and Purpose: Editorial Cartoons” – On Display October 21, 2020 – November 30, 2020
On a daily basis, editorial cartoonists deliver biting social commentary made palatable through amusing and well-crafted illustration. Lines with Power and Purpose: Editorial Cartoons features fifty-one original editorial cartoons from the nation’s great metropolitan newspapers during the Golden Age of print journalism. Included in the mix are six Pulitzer Prize-winning cartoonists, each demonstrating the theme of political commentary through editorial illustrations and addressing issues from the first half of the twentieth century.
These deceptively simple drawings frame the public’s understanding of early-to-mid twentieth-century world events and trends ranging from the two world wars, the great depression, public discontent with the US government, presidential elections, daily battles regarding work-related rejection, nostalgia for homespun neighborhood charm in the Midwest, and more. Along the way, these cartoons served a dualistic intention: to provide welcomed comic relief as well as shape opinion.
The cartoonist draws strength from the limited conventions of the newspaper context. Just as the strict rules of a haiku challenge the poet to create exactly the right mood within the tight construction of very few words, the editorial cartoonist presents a powerful distillation of political argument through a single image and maybe a few well-placed labels or a short caption.
To accomplish this under-appreciated feat, cartoonists develop their own language—a language taught to and subsequently shared with their readers. Standard symbols such as the oft-used Uncle Sam or Statue of Liberty evoke abstract concepts such as nation, patriotism, and public interest. On the darker side, cartoons reveal the inherent cruelty of prejudice, xenophobia, and ignorance.
Political humor relies on an informed and receptive audience. Headline stories prime newspaper readers to more quickly grasp the cartoonist’s unique take on the news of the day. A talented cartoonist makes even complex political arguments accessible to ordinary citizens. The friendly strokes of the cartoonist’s pen often belie the rawness and reality of the issues at hand. This exhibition of editorial cartoons conveys how cartoons effectively expose hypocrisy, reveal contradictions, introduce new ideas, and promote fresh perspectives as news events unfold.
Included in this exhibition are Pulitzer Prize winners for Editorial Cartooning: Bruce Alexander Russell, Herbert Lawrence Block (Herblock), Charles G. Werner, C.D Batchelor, Charles R. Macauley, and Vaughn Shoemaker.
A program of ExhibitsUSA, a national division of Mid-America Arts Alliance with Texas Commission on the Arts and the National Endowment of the Arts
“Thrift Style– On Display December 14th- January 19th
Thrift Style explores the reuse of feed sacks to make clothing and other household objects and illuminates how the “upcycling” of these bags mutually benefitted twentieth-century consumers and businesses. With forty-one works from patterns to garments, it serves as an example of past ingenuity that can inform today’s efforts towards sustainability. Thrift Style opens December 14th at The Temple Railroad and Heritage Museum.
The exhibition, organized by the Historic Costume and Textile Museum and the Marianna Kistler Beach Museum of Art, both at Kansas State University, provides a nostalgic view into American ingenuity, sensibility, and optimism during a particularly challenging time of economic hardship and war—the period of the Great Depression and World War II. The reuse of feed, flour, and sugar sacks was a cost-saving and resource-saving approach employed by homemakers to make new items to meet their families’ needs.
In the 1920s and ‘30s, manufacturers began producing patterned and colored feed sacks to give home seamstresses more options. During World War II, the federal government limited fabric use for individual garments and homemakers were obligated to use thrifty approaches to repurpose what was available to them. As fabrics from feed sacks were not considered a limited resource, women turned to them as an accessible and patriotic option during the war effort. In response, trade organizations and manufacturers promoted the thrifty use of feed sack fabric by publishing how-to brochures and booklets with clothing designs, mending instructions, and other suggestions for restyling clothes.
The artifacts in the exhibition demonstrate a mutual goal of sustainability, with local businesses—mills and feed and seed operations—tailoring product design and marketing campaigns to attract customers; and consumers using their imaginations and practical skills to tailor clothing, aprons, quilts, dolls, and more out of the industry’s byproduct: feed sack cotton.
This exhibition offers a snapshot of domestic life during this time when recycling was as critical as it is today, and it provides one of the best examples of upcycling in our nation’s history.
It is organized by The Historic Costume and Textile Museum and the Marianna Kistler Beach Museum of Art, both at Kansas State University and ExhibitsUSA, a program of Mid-America Arts Alliance.
A Program of ExhibitsUSA, a national division of Mid-America Arts Alliance with Texas Commission on the Arts and The National Endowment for the Arts